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Rose Fabled French labels, and classy, curved bottles may have written the script for rosé, but it’s a brave new world out there—some exceptional values still exist in unlikely places. I dug into the icebox and found a wine that was apt for the 105˚ day that I spent in the valley.

Viña Apaltagua’s rosé of Carmenere (85% Carmenere and 15% Syrah) is of Chilean descent, specifically from the Maule Valley, and was new to me. A highly recommended value from a shopkeeper that I trust in Orange County, he had pitched the wine as a surprising find for himself.

Unscrewing the cap, the wine was chilled to the forties and would open slowly as the hot, ambient air enveloped the bottle and poured glass. After a few minutes I nosed the salmon-hued wine, finding passion fruit, lime, strawberry and something faintly green, but pleasant like rubbed Geranium stems. In the mouth it was dry, red-fruited, with more strawberry and raspberry flavors upfront, with medium-plus intensity, the citrus and tropical accents found on the nose took a backseat. The rosé had refreshing acidity, medium weight from the lees aging—not as angular as I was expecting—and finished cleanly with a nice mélange of flavors. It was delicious and inexpensive (under twelve dollars).

This wine wasn’t like analyzing a Shostakovich symphony; rather it was akin to Bach’s minuet in G, where it was pleasant and not without a little bit of surprise—perfectly cooling us down from the fiery atmospheric conditions outside. Given the circumstances I would have been happy with most dry rosés, but I was happy to have found such a tasty and affordable option from outside of Provence.

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